Cinema was introduced to India on July 7, 1896. It began with the Lumiere Brothers' Cinematography, unveiling six silent short films at the Watson Hotel in Bombay, namely Entry of Cinematographe, The Sea Bath, Arrival of a Train, A Demolition, Ladies & Soldiers on Wheels and Leaving the Factory. The Times of India carried details of the "Living Photographic Pictures in Life-Size Reproductions by Mssrs. Lumiere Brotheres". In the same year, the Madras Photographic Store advertised "animated photographs". Daily screenings of films commenced in Bombay in 1897 by Clifton and Co.'s Meadows Street Photography Studio.

The first feature film made in India was a narrative named Pundalik, by N.G. Chitre and R.G. Torney. The first full-length Indian feature film was Raja Harishchandra (3700 feet as compared to 1500 for Pundalik), made in 1913 and released commercially in May that year, by Dadasaheb Phalke. Phalke had attended a screening of The Life of Christ at P.B. Mehta's American-Indian Cinema and was inspired to make films himself. He was convinced of the possibility of establishing an indigenous film industry by focussing on Indian themes. In this regard, he said Like the life of Christ, we shall make pictures on Rama and Krishna. The film was about an honest king who for the sake of his principles sacrifices his kingdom and family before the gods, who are impressed with his honesty and restore him to his former glory. The film was a success, and Phalke went on to make more mythological films till the advent of talkies, and commercialisation of Indian films lessened his popularity.

 
India is a large country where many languages are spoken. According to the 1991 Census of India there are about 10,400 'raw mother tongues' in India. If closely related and mutually comprehensible dialects are grouped, the number can be reduced to 1576 ‘rationalised’ mother tongues, or with even more consolidation, 114 main languages. These 114 languages are the ones survyed in the Indian census.[6] Indian film producers have made films in thirty of the largest languages. However, only the very largest language groups support major regional industries. These are: Hindi, Bengali, Marathi, Kannada, Tamil, Telugu, Malayalam. Official statistics categorise Indian films according to the languages in which they are distributed.

There is a great deal of mobility between the regional industries. Many workers in other regional industries, once their talent and popularity is established, move on to work in other film industries, nationally as well as internationally. For example, A. R. Rahman, one of the best known film music composers in Indian cinema, started his career in Tamil cinema in Chennai but has since worked in Bollywood, London, and New York. Similarly, films that succeed in one language are often remade or dubbed in others. Films like Padosan and Roja, for example, were re-made or dubbed from their original Bengali and Tamil versions respectively, into Hindi.

The Bollywood industry is usually the largest in terms of films produced and box office receipts.
Distinctions between regional cinemas may be eroding with the new practice of simulaneous release in several languages. Producers used to be highly cost-conscious; they would only pay to have a film dubbed into another language if it had been a hit in the first language. Dubbed films were always later re-releases. Now film-makers are releasing versions in multiple languages simulaneously. One journalist credits this innovation to the Telugu movie industry. It has been picked up by Bollywood as well. A recent heavily-advertised and star-laden release, Dhoom 2, was released simultaneously in Hindi, Tamil, and Telugu.
 
 
-:: Important Resources ::-
Digital Academy includes animation, Film making, Editing, Direction and video production, writing for film and television and Film producing. Production Designers are usually graduates of Film Editing, Video Editing, Script Writing and 3D animation courses.
   
 
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